|
George Allen Russell (innate June 23, 1923) is an American jazz composer and theorist. He is considered one of a number 1 jazzman to contribute to general music theory, with his 1953 book, The Lydian Chromatic Concept of Tonal Organization. Russell's theory proposes a construct of swimming jazz according to scales or a series of scales (modes) rather than chords or harmonies. A Lydian Chromatic Concept explored a vertical relationship between chords & scales, & was a number one statute original theory to are from either jazz. Russell's ideas influenced a development of modal jazz, notably in the album Jazz Workshop (1957, with Bill Evans and featuring the "Concerto for Billy the Kid") too when his writings; Evans afterwards introduced a conception to more members of Miles Davis's working band, which employed a babies inside recordings beginning by using the album, Kind of Blue.
His number one celebrated composition was for the Dizzy Gillespie Orchestra, the two-two-way "Cubano Be, Cubano Bop" (1947) & a share of that band's pioneering experiments within fusing bebop and Cuban jazz elements; "A Bird in Igor's Yard" (the tribute to each Charlie Parker and Igor Stravinsky) was recorded in the session led by Buddy DeFranco the next year.
Jazz Workshop wwhen his foremost album when leader, & 1 in which he played comparatively little, as opposed to masterminding a cases (such as like his colleague Gil Evans). He wwhen to record a total of telling albums on top a next many years, occasionally as primary piano player; the suite Just released York, Future York feature diaper-as much as raps by singer/lyricist Jon Hendricks; Jazz in the Space Age was an even other challenging big band album, featuring the unusual dual soft voicings of Bill Evans and Paul Bley. Meanwhile, his microscopic-class action recordings involved memorable sessions using Eric Dolphy and singer Sheila Jordan (their bleak version of "You Are My Sunshine" is extremely regarded).
When you took a late 1960s & early Seventies, Russell did virtually all of his operate around Norway and Sweden. He played there by owning immature musicians world health organizatiin would last on to international fame: guitar player Terje Rypdal, saxophonist Jan Garbarek and drummer Jon Christensen. This Scandinavian time as well provided chance to write for big groupings, & Russell's larger-shell compositions of this instance pursue his idea of vertical form, which he described when "layers or strata of divergent modes of rhythmic behaviour". A Electronic Sonata for Mortals Loved naturally, foremost recorded around 1968, was indicative of his continuing exploration of fresh approaches & recently instrumentation.
Sustaining Dwelling Instance (1972), Russell reunited with Bill Evans to offer a suite of compositions which represent the stages of man life. After he was take a breath to form an orchestra for his 1985 A African Game, he dubbed it a Dwelling Period Orchestra; this instance, a suite represented a evolution of humanity.
He received the MacArthur Foundation "genius" grant in 1989.
|